Justine Sow, author of Wax Paradoxe

by | 5 March 2025 | Podcast

Meet Justine Sow, author of "Wax Paradox", a comic strip exploring the complexities of wax and the twists and turns of mixed-race identity. An atypical career path, from journalism to comics, where passion, determination and encounters combine to give birth to a committed and nuanced work.
Justine Sow


Justine Sow: “Wax Paradox”, a comic exploring the twists and turns of identity through wax

An atypical career path, from passion to creation

Justine Sow, a Brussels-based journalist of Guinean origin, has always had a passion for art. Lulled by her father’s stories and introduced to the arts by her grandmother, drawing has been with her since childhood. A marriage, rekindled memories and an irrepressible desire to reconnect with this passion prompted her to resume her comic strip studies at the age of 35. This return to her roots marked an upheaval, enabling her to see the world from a new angle. The result is “Wax Paradox”, a comic strip that explores the cultural complexity of wax and the quest for identity of a young mixed-race woman.

Justine Sow - Wax paradox

“Wax Paradox”, a committed and nuanced work of art

The creation of “Wax Paradox” is the fruit of encounters and opportunities. A teacher believed in her talent, a publisher was seduced by her work, and the Musée de l’Homme wanted a comic book to accompany its exhibition on wax. Justine Sow questions her legitimacy in tackling this subject, but chooses authenticity, assuming her point of view as a mixed-race woman in search of her roots. The result is a long-term project involving research, encounters and hours of drawing. The author weaves a story where the issues of wax resonate with the contradictions of Métis identity, tackling the question of cultural appropriation and the “No Wax” movement with nuance and sensitivity.

Justine Sow - Wax Paradoxe

A message of openness and dialogue

Beyond the polemics, Justine Sow’s main aim is to open dialogue and encourage reflection. Wax is a complex and controversial fabric. And it becomes the vehicle for a message of openness and dialogue. The author sees the fabric as a heritage steeped in history and symbolism. But wax is also a commercial product. The author advocates a nuanced approach, where everyone is free to appropriate wax in their own way, while being aware of its history and meaning. “Wax Paradox” has already won over a wide audience and continues to arouse interest, inviting readers to discover the issues surrounding wax and African identity.

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