An atypical career path from finance to literature
Marien Ngombé has an original background. He studied accounting and finance. Today, he is a financial director. But he also has a passion for writing and African culture. This dual interest creates a balance. Marien Ngombé explains: “I need rigor and structure, which I find in my job, but also creativity, which I find in writing.”
Writing as an anchor and a vector of identity
Writing is essential for Marien Ngombé. It enables him to fix his memories. It allows him to recount his childhood. And it allows her to share an authentic vision of Africa. Her first book, Escales, explores travel. It covers both physical and inner journeys. More recently, Marien Ngombé coordinated “Taxi Poto Poto”. This collection of short stories invites the reader on an immersive journey. This journey takes place in the heart of African cities. It takes place through the eyes of cab drivers. “The cab driver is a figure of speech, he knows everything, he’s a sponge for local realities”, says Marien Ngombé.
Cab Poto Poto: a journey to the heart of African cities
“Cab Poto Poto” offers a unique perspective on urban Africa. This project echoes the mission of Africa Fashion Tour. It highlights the diversity of African cultures. Marien Ngombé has created an original concept. He uses the figure of the cab driver. This character becomes a privileged observer of urban life.
Ateliers Citoyens du Congo and Soft Power Days
Marien Ngombé doesn’t just write. He takes concrete action. He founded the Ateliers Citoyens du Congo. This organization promotes African soft power. He has also launched Soft Power Days. This annual event connects the diaspora and local players in the cultural and creative industries. On the program: conferences, kermesses, open stages and entrepreneurial competitions. “Africa will only pull through if this bridge between the diaspora and the continent is truly built,” he stresses.
The challenge of financing CCIs in Africa
The development of cultural and creative industries in Africa faces a major obstacle: lack of financing. Marien Ngombé insists on several points. The State needs to be involved in structuring the sector’s professions. We need to train the players. And investors need to be educated. “We need to rethink economic models and show that culture is a real business”, he declares.
Marien Ngombé’s commitment is clear. He wants to see greater recognition of African cultural and creative industries. His initiatives are important steps in this direction. Investing in culture is essential. It’s a powerful lever for the continent’s economic and social development. He embodies this vision.
